As many scholars of contemporary Cuba have learned to their shock and grief, we have recently lost one of our dearest colleagues, Katherine Hagedorn. While a more comprehensive memorial to her life and work is available here, suffice it to say that Katherine was not only a creative, honest, and insightful scholar, but also an extraordinarily generous being, and we are left much diminished by her absence and with deepest sympathies for her family. Having recently re-read her book as my own personal memorial to Katherine, I remembered all over how delightful it was to read in the first place, and how many of her insights rang true ethnographically even to someone not particularly well versed in either ethnomusicology or Cuban religious practices. With that in mind, I write this post to recommend that you either take the time to read, or re-read, this rich text, Divine utterances: The performance of Afro-Cuban santería. It will, I promise, be time well spent.